Welcome to the first episode of season two of Holly Jolly X’masu! In this episode, I kick off 2021 talking about Ginji Ito’s 1983 album, Winter Wonder Land – I Thank You. This winter-themed album contains a trio of Christmas songs. It’s a fun, lighthearted start to the new year.
One thing I discovered as I started collecting Japanese Christmas music was that some of the best songs didn’t come from actual Christmas albums. While some Western artists will occasionally include a Christmas song on a regular album, or a mention Christmas in a song that really has nothing to do with it, having a Christmas song appear on a non-Christmas album appears to be much more common in Japan. The best example of this is Tatsuro Yamashita’s “Christmas Eve.” Arguably the most popular Japanese Christmas song, it came from his album Melodies, which was a straight City Pop album. I think a big part of that has to do with how most Japanese view Christmas as a romantic, secular holiday. While “O Holy Night” isn’t likely to appear on a non-Christmas album, finding a Christmas love song on an album is fairly common.
Winter-themed albums are also fairly common in Japan. With entire albums dedicated to the winter season, it’s even more likely to find a few songs mentioning Christmas or Santa Claus. A couple of the more notable ones are Yumi Matsutoya’s Surf & Snow – Volume One, and Seiko Matsuda’s Snow Garden, both of which produced hugely popular Christmas songs. While I generally stick to more traditional Christmas albums, I’ll eventually devote episodes to a few of these winter or non-Christmas albums, particularly the ones that produced the biggest Christmas hits.
While researching this episode, I couldn’t find much about how Ginji Ito’s albums fared on the charts. I know that several of the songs from Winter Wonder Land remain popular with his fans, but they’re not songs that I ever see included on lists of the most popular Christmas songs in Japan. This album is also almost entirely absent from video sites, such as YouTube and Daily Motion. A friend in Japan was able to find a video for just one of the songs on a Japanese site I’d never heard of. It’s a fun album and I genuinely enjoy each of the songs, so it’s a shame it’s not more accessible. That said, I always like featuring albums that generally can’t be heard elsewhere, and this really fits the bill.
As always, thanks for listening, and I hope this episode helps you start the new year on the right foot. Join me in February for a special episode for Black History Month. There aren’t many Japanese Christmas albums that fit the theme, but noted American saxophonist Sam “The Man” Taylor’s 1968 album, In Christmas, release only in Japan, makes the cut, even if on a technicality. It’s a wonderful album and one you don’t want to miss.
Any feedback on this episode would be appreciated. If you’d like to recommend a song or album for a future episode, drop me a line and let me know.
Remember, I’ve added a button to my Ko-fi page. If you’d like to support me one cup of coffee at a time, a donation is only $3. Any donations received will be put towards purchasing new Japanese Christmas music to review for future episodes. You can also find me on Facebook, Instagram and Twitter. And if you get a chance, leave me a review on iTunes. Thanks!
In this episode we look back to the Christmas of 1943 – a dark, unexpected, unusual and isolated Christmas that saw many separated from their families for the first time. Framed by Bing Crosby’s classic, “I’ll Be Home for Christmas”, the lessons of Christmas 1943 are learned through not only the sacrifices of those in our family past but also of those from every side who found a way for their humanity to command in a time of war.
